Carved to outlive us all.
Architectural Carver in Morocco
When you pick me, Alexander Grabovetskiy, to carve wood for you, it's more than just a job; it's about building a friendship. I like to give back to my customers. Happy customers can tell their friends about me, and we all know how helpful that is for wood carving!
When you choose to work with me, you will notice how much I care about quality. I am proud of everything I make, and I make sure each project shows my hard work. If you invest in great craftsmanship, you can trust that I will always provide wonderful results.
Lots of pleased clients from different countries have picked my services and share wonderful stories. When possible customers see those fantastic reviews, they feel good about their decision. Just imagine—if someone next door talks well about my work, wouldn’t you want to join in too?
With years of working in this area, I've built my skills through many successful projects. I really get the details of wood carving. So why not trust someone who is known as a skilled artisan?
Let’s be truthful: everyone enjoys a touch of charm! I believe that being nice is just as vital as skill. When we join forces, you’ll see I’m friendly and easy to work with—plus, people say my jokes are just as solid as my carvings!
Move fast because lovely wood carvings are in great demand! If you wait too much, you might miss out on getting a unique piece made just for you. After all, no one wants to be the person saying, “I should’ve grabbed that carving when I could!”
To wrap up, let’s celebrate our love for art and craftsmanship. When you choose to work with me, we team up in creativity. Together, we’ll make something that enhances your space and shares your story.
In the studio
From first sketch to installed carving.
Every commission for Morocco, and for clients worldwide, follows the same path: from the first conversation to the finished piece, set in place.
- 01
We talk it through
Every commission begins with a conversation: your drawings, photographs, or a rough idea, and the room the piece will live in.
- 02
Drawing & estimate
I draw the ornament to scale and send a clear estimate and timeline. No wood is cut until the design and the price are agreed.
- 03
The carving
At the bench, in the living tradition of the old masters.
- 04
Crated & delivered
The finished carving is sealed, crated, and shipped ready to install, matched seamlessly to existing millwork when it must join older work.
A standard machines cannot reach.
Serving Morocco architects, designers, and churches, with carved work in private estates and museums worldwide.
Forty years at the bench
Four decades of architectural and ornamental commissions for clients worldwide.
Woodcarver of the Year
Named International Woodcarver of the Year in 2012 by the Woodworkers Institute.
One of the best wood carvers in the world.NewsCenter Maine (NBC), 2021
Architectural Carver in Morocco
Do you take architectural carver commissions in Morocco?+
Yes. I create architectural and ornamental carving for clients in Morocco and around the world, crated and shipped ready to install. Most commissions begin with a short conversation about your project, drawings, or reference images.
What kinds of wood carving do you make?+
Baroque and Rococo ornament, architectural carving (capitals, corbels, friezes, mantels, panels and doors), pipe-organ cases and shades, Grinling-Gibbons-style foliage, figural reliefs, mirror and picture frames, and bespoke furniture carving.
How long does a commissioned carving take?+
It depends on size and detail. A single ornament can take a couple of weeks, while a full architectural scheme runs several months. You get a clear timeline with the estimate, before any work begins.
Can you match an existing carving or a historical style?+
Yes. I regularly reproduce or extend historical work and match existing millwork, so a new piece sits seamlessly beside the old, period-correct in tool, profile, and finish.
Do you work with architects and interior designers?+
Constantly. I collaborate from drawings and CAD, provide samples, and carve to spec for residential, ecclesiastical, and commercial projects in Morocco and beyond.
Foliage and lace, cut from a single block.
The same hand that carves for Morocco carves for private estates and museums worldwide.
The work as historical study
Every commission starts as a research project, not just an order. Before a single cut, the work is to study the piece: to trace a motif back to its period and its masters, to understand how the hand that first carved it thought and moved, and to carry a vanishing skill forward into a new piece, the way carvers have worked for centuries.
A carving from this studio is, for that reason, one of a kind: an interpretation of a historical style, never a copy stamped from a pattern. The grain of the wood, the line of the leaf, the depth of the undercut all record a study and a hand, and no two are ever the same. The studio doesn’t sell a mass-produced object. It delivers a finished carving with the scholarship, the design, and a lifetime of skill behind it. Every piece also keeps a little of a centuries-old art from being lost.
Commission carved work.
Tell me about your project: a single ornament or a full architectural scheme.
Discuss Your Vision