Carved to outlive us all.
Wood Carvers in Lebanon
When you go with me, Alexander Grabovetskiy, as your wood carver, it’s not only about the work; it’s about making a friendship. I like to give back to those I serve. A pleased customer can bring in their friends, and we all know how much wood carving benefits from good recommendations!
When you choose to work with me, you will notice how much I care about quality. I am proud of everything I make, and I make sure each project shows my hard work. If you invest in great craftsmanship, you can trust that I will always provide wonderful results.
So many happy customers from all over enjoy my services and talk about their good times. When future clients see those happy reviews, they feel sure about their choices. Just picture—if your friend praises my work, wouldn’t you want to be included too?
After many years in this field, I have gained a lot of knowledge from my many successful projects. I really understand wood carving. So why not pick someone who is known as a reliable artisan?
Let’s be real: who doesn’t like some charm? I feel that being friendly is just as key as being skilled. When we work together, you’ll find me easy to talk to and work with—plus, I’ve heard my jokes are as strong as my carvings!
Move fast because lovely wood carvings are in great demand! If you wait too much, you might miss out on getting a unique piece made just for you. After all, no one wants to be the person saying, “I should’ve grabbed that carving when I could!”
To wrap up, let’s celebrate our love for art and craftsmanship. When you choose to work with me, we team up in creativity. Together, we’ll make something that enhances your space and shares your story.
In the studio
From first sketch to installed carving.
Every commission for Lebanon, and for clients worldwide, follows the same path: from the first conversation to the finished piece, set in place.
- 01
We talk it through
Every commission begins with a conversation: your drawings, photographs, or a rough idea, and the room the piece will live in.
- 02
Drawing & estimate
I draw the ornament to scale and send a clear estimate and timeline. No wood is cut until the design and the price are agreed.
- 03
The carving
At the bench, in the living tradition of the old masters.
- 04
Crated & delivered
The finished carving is sealed, crated, and shipped ready to install, matched seamlessly to existing millwork when it must join older work.
A standard machines cannot reach.
Serving Lebanon architects, designers, and churches, with carved work in private estates and museums worldwide.
Forty years at the bench
Four decades of architectural and ornamental commissions for clients worldwide.
Woodcarver of the Year
Named International Woodcarver of the Year in 2012 by the Woodworkers Institute.
One of the best wood carvers in the world.NewsCenter Maine (NBC), 2021
Wood Carvers in Lebanon
Do you take wood carvers commissions in Lebanon?+
Yes. I create architectural and ornamental carving for clients in Lebanon and around the world, crated and shipped ready to install. Most commissions begin with a short conversation about your project, drawings, or reference images.
What kinds of wood carving do you make?+
Baroque and Rococo ornament, architectural carving (capitals, corbels, friezes, mantels, panels and doors), pipe-organ cases and shades, Grinling-Gibbons-style foliage, figural reliefs, mirror and picture frames, and bespoke furniture carving.
How long does a commissioned carving take?+
It depends on size and detail. A single ornament can take a couple of weeks, while a full architectural scheme runs several months. You get a clear timeline with the estimate, before any work begins.
Can you match an existing carving or a historical style?+
Yes. I regularly reproduce or extend historical work and match existing millwork, so a new piece sits seamlessly beside the old, period-correct in tool, profile, and finish.
Do you work with architects and interior designers?+
Constantly. I collaborate from drawings and CAD, provide samples, and carve to spec for residential, ecclesiastical, and commercial projects in Lebanon and beyond.
Foliage and lace, cut from a single block.
The same hand that carves for Lebanon carves for private estates and museums worldwide.
The work as historical study
Every commission starts as a research project, not just an order. Before a single cut, the work is to study the piece: to trace a motif back to its period and its masters, to understand how the hand that first carved it thought and moved, and to carry a vanishing skill forward into a new piece, the way carvers have worked for centuries.
A carving from this studio is, for that reason, one of a kind: an interpretation of a historical style, never a copy stamped from a pattern. The grain of the wood, the line of the leaf, the depth of the undercut all record a study and a hand, and no two are ever the same. The studio doesn’t sell a mass-produced object. It delivers a finished carving with the scholarship, the design, and a lifetime of skill behind it. Every piece also keeps a little of a centuries-old art from being lost.
Commission carved work.
Tell me about your project: a single ornament or a full architectural scheme.
Discuss Your Vision