Carved to outlive us all.

Wyoming

Carving artist in Wyoming

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Carving artist Alexander Grabovetskiy

Alexander Grabovetskiy carves lions

 

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Greetings and welcome to the website of Master Wood Carver Alexander Grabovetskiy, an internationally acclaimed artist and master of ornamental and architectural wood carving.

Alexander has received the International Woodcarver of the Year award, awarded by the Wood Worker’s Institute. He is known all over as one of the best and most skilled wood carvers alive.

Hand carving is a long-practiced skill taught by experts over time. The ways to make genuine art, including hand-carved furniture and complex wood sculptures, haven't changed for ages. No power tools are used, and the chisel marks—akin to an artist’s brush strokes on canvas—are preserved.

From Ancient Greece to the Middle Ages, through the Renaissance, Victorian times, and today, skilled wood carvers have made beautiful pieces for royal palaces and different building styles like Baroque, Rococo, Period, and Modern.

 

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Alexander Grabovetskiy Carving

 

Pro Woodcarver

 

  Carving artist  Wyoming

 

In Motion

In the studio

The Commission

From first sketch to installed carving.

Every commission for Wyoming, and for clients worldwide, follows the same path: from the first conversation to the finished piece, set in place.

  1. 01

    We talk it through

    Every commission begins with a conversation: your drawings, photographs, or a rough idea, and the room the piece will live in.

  2. 02

    Drawing & estimate

    I draw the ornament to scale and send a clear estimate and timeline. No wood is cut until the design and the price are agreed.

  3. 03

    The carving

    At the bench, in the living tradition of the old masters.

  4. 04

    Crated & delivered

    The finished carving is sealed, crated, and shipped ready to install, matched seamlessly to existing millwork when it must join older work.

Why Alexander

A standard machines cannot reach.

Serving Wyoming architects, designers, and churches, with carved work in private estates and museums worldwide.

Forty years at the bench

Four decades of architectural and ornamental commissions for clients worldwide.

Woodcarver of the Year

Named International Woodcarver of the Year in 2012 by the Woodworkers Institute.

40+
Years carving
2012
Woodcarver of the Year
Worldwide
Private estates & museums
One of the best wood carvers in the world.
NewsCenter Maine (NBC), 2021
Frequently Asked

Carving artist in Wyoming

Do you take carving artist commissions in Wyoming?+

Yes. I create architectural and ornamental carving for clients in Wyoming and around the world, crated and shipped ready to install. Most commissions begin with a short conversation about your project, drawings, or reference images.

What kinds of wood carving do you make?+

Baroque and Rococo ornament, architectural carving (capitals, corbels, friezes, mantels, panels and doors), pipe-organ cases and shades, Grinling-Gibbons-style foliage, figural reliefs, mirror and picture frames, and bespoke furniture carving.

How long does a commissioned carving take?+

It depends on size and detail. A single ornament can take a couple of weeks, while a full architectural scheme runs several months. You get a clear timeline with the estimate, before any work begins.

Can you match an existing carving or a historical style?+

Yes. I regularly reproduce or extend historical work and match existing millwork, so a new piece sits seamlessly beside the old, period-correct in tool, profile, and finish.

Do you work with architects and interior designers?+

Constantly. I collaborate from drawings and CAD, provide samples, and carve to spec for residential, ecclesiastical, and commercial projects in Wyoming and beyond.

Grinling-Gibbons Style

Foliage and lace, cut from a single block.

The same hand that carves for Wyoming carves for private estates and museums worldwide.

The Practice

The work as historical study

Every commission starts as a research project, not just an order. Before a single cut, the work is to study the piece: to trace a motif back to its period and its masters, to understand how the hand that first carved it thought and moved, and to carry a vanishing skill forward into a new piece, the way carvers have worked for centuries.

A carving from this studio is, for that reason, one of a kind: an interpretation of a historical style, never a copy stamped from a pattern. The grain of the wood, the line of the leaf, the depth of the undercut all record a study and a hand, and no two are ever the same. The studio doesn’t sell a mass-produced object. It delivers a finished carving with the scholarship, the design, and a lifetime of skill behind it. Every piece also keeps a little of a centuries-old art from being lost.

Commission carved work.

Tell me about your project: a single ornament or a full architectural scheme.

Discuss Your Vision