管風琴透雕飾板

門類: 建築

為音樂廳管風琴雕制的獨立透雕飾板：莨苕與卷渦全然鏤空，自板材正反穿透雕成，讓樂器得以呼吸，又始終以裝飾為冠。

在工作室

椴木與櫟木悉心雕琢，直到紋理本身化作裝飾。這正是巴洛克浮雕所要求的那份從容。

於亞歷山大·格拉博維茨基的工作室雕成

Pipe organ shade with flowing acanthus scrollwork, a custom wood carving by Alexander Grabovetskiy clamped at the bench.

Set of openwork limewood pipe organ shades carved with acanthus scrolls by Alexander Grabovetskiy, custom wood carving.

Curved acanthus pipe organ shades, a custom wood carving by Alexander Grabovetskiy in limewood.

Limewood pipe organ shade with deep acanthus scrollwork, custom wood carving by Alexander Grabovetskiy.

Pierced limewood pipe organ shades with acanthus scrollwork, custom wood carving by Alexander Grabovetskiy.

Deeply undercut acanthus scrollwork for pipe organ shades, a custom wood carving by Alexander Grabovetskiy.

Limewood pipe organ shade with pierced acanthus scrollwork, custom wood carving by Alexander Grabovetskiy.

Limewood organ shades with flowing acanthus scrolls, custom wood carving by Alexander Grabovetskiy, mid-assembly.

Limewood acanthus scrollwork pipe organ shade, custom wood carving by Alexander Grabovetskiy in his workshop.

Curved limewood pipe organ shade with pierced acanthus scrollwork, custom wood carving by Alexander Grabovetskiy.

Alexander Grabovetskiy stands beside a curved limewood organ shade, a custom wood carving of pierced acanthus scrolls.

In Motion

From the studio

創作之道

以創作為歷史研習

每一件委託都始於一項研究，而非一紙訂單。在落鑿之前，工作是研習這件作品：將一個紋樣追溯至它的時代與大師，體會最初雕出它的那雙手如何思考、如何執行，再將瀕於失傳的技藝帶入一件全新之作。

正因如此，出自這間工作室的木雕都是獨一無二的：它是對某種歷史風格的詮釋，而絕非依模板複製的摹本。木材的紋理、葉片的走向、底切的深淺，都留有研習的印記，沒有兩件會全然相同。這間工作室不出售批次製品，而是交付一件成品，一件以畢生學識、設計與技藝成就的作品。每一件作品，也都為一門歷經數百年的技藝，留住了不致湮沒的一隅。

每一件委託，都始於一次交談。

請與我分享您的構想：小至一件飾雕，大至整座建築裝飾。

洽談您的構想