管风琴透雕饰板

门类: 建筑

为音乐厅管风琴雕制的独立透雕饰板：莨苕与卷涡全然镂空，自板材正反穿透雕成，让乐器得以呼吸，又始终以装饰为冠。

在工作室

椴木与栎木被反复雕琢，直到纹理本身化作装饰。这正是巴洛克浮雕所要求的那份从容。

于亚历山大·格拉博维茨基的工作室雕成

Pipe organ shade with flowing acanthus scrollwork, a custom wood carving by Alexander Grabovetskiy clamped at the bench.

Set of openwork limewood pipe organ shades carved with acanthus scrolls by Alexander Grabovetskiy, custom wood carving.

Curved acanthus pipe organ shades, a custom wood carving by Alexander Grabovetskiy in limewood.

Limewood pipe organ shade with deep acanthus scrollwork, custom wood carving by Alexander Grabovetskiy.

Pierced limewood pipe organ shades with acanthus scrollwork, custom wood carving by Alexander Grabovetskiy.

Deeply undercut acanthus scrollwork for pipe organ shades, a custom wood carving by Alexander Grabovetskiy.

Limewood pipe organ shade with pierced acanthus scrollwork, custom wood carving by Alexander Grabovetskiy.

Limewood organ shades with flowing acanthus scrolls, custom wood carving by Alexander Grabovetskiy, mid-assembly.

Limewood acanthus scrollwork pipe organ shade, custom wood carving by Alexander Grabovetskiy in his workshop.

Curved limewood pipe organ shade with pierced acanthus scrollwork, custom wood carving by Alexander Grabovetskiy.

Alexander Grabovetskiy stands beside a curved limewood organ shade, a custom wood carving of pierced acanthus scrolls.

In Motion

From the studio

创作之道

以创作为历史研习

每一件委托都始于一项研究，而非一纸订单。在落凿之前，工作是研习这件作品：将一个纹样追溯至它的时代与大师，体会最初雕出它的匠人如何思考、如何运行，再将濒于失传的手艺带入一件全新之作。

正因如此，出自这间工作室的木雕都是独一无二的：它是对某种历史风格的诠释，而绝非依模板复制的摹本。木材的纹理、叶片的走向、底切的深浅，都留有研习的印记，没有两件会全然相同。这间工作室不出售批量制品，而是交付一件成品，一件以毕生学识、设计与手艺成就的作品。每一件作品，也都为一门历经数百年的技艺，留住了不致湮没的一隅。

每一件委托，都始于一次交谈。

请与我分享您的构想：小至一件饰雕，大至整座建筑装饰。

洽谈您的构想